Chinese Fish Paintings

2015-01-12  Source: cultural-china

Chinese painting

The words for fish and abundance are pronounced the same in Chinese (鱼,yu) so the fish in the Chinese culture symbolizes wealth. Fish also symbolize harmony, marital happiness and reproduction because they multiply rapidly and sometimes swim in pairs. Chinese legend says people placed messages in the bellies of the fish, and thus the fish has come to symbolize communication with a distant friend or loved one. Fish is an important symbol in the Buddhist religion and are among the auspicious signs on the Footprints of Buddha. The fish on the Buddha footprints signifies freedom from all restraints. The most popular fish motif found in Chinese art and culture is that of the Carp or Koi fish. Known to most Westerners as Koi Fish, the Chinese carp has numerous symbolic values within Chinese culture. The carp is a powerful symbol of strength and perseverance. The scales and whiskers of the carp resemble that of a dragon, a great symbol of power in China. At the New Year Festival "lucky money" is given out in red envelopes decorated with a carp and symbols of long life such as peach and pine trees. The word "koi" comes from the Japanese word meaning “carp”. Koi fish have many different colors with the major colors being black, white, red, yellow, and cream colored.

In this painting, four goldfish sink to the bottom among green algai in the clear water. Two fish have their backs toward the vewer and the other two have their underside shown. Although the agility of real life goldfish is absent and the artist disregards the customary taboo against showing the underside of fish in paintings, the simple, naïve charm of the goldfish stands out.

Courtesy name: Yanglu; native of Hangzhou, Zhejiang Province; nephew of Zhang Taiyan. He was in charge of calligraphic works and paintings in the collection of the collector Pang Laichen. He specialized in flower-and-bird painting, in the tradition of Yun Shouping (1633-1690) but with innovations in subject matter and techniques. With the founding of the PRC, he was appointed painter at Shanghai Academy of Chinese Painting. This painting depicts a lotus leaf big as an umbrella occupying the upper half of the picture surface, with a flower partially revealed and a wiggly, lightly inked line extending from top to bottom, meant to be the stem. Three fish swimming under the flower enliven the painting and give the theme of "Happy Fish." Two horizontal lines entering the picture from the right must be a continuation of the two lotus stems at bottom, which is in obvious contradiction with the natural ways of the lotus but necessary for compositional balance. Note the artist's successful use of ink left standing overnight, which contains particulates, to model the broken lotus leaves.

In this picture, a gigantic carp shakes its head and wags its tail in the water, relaxed and pleased with itself, looking down on the bream, crucian carp, perch and catfish. The carp is considered the incarnation of the dragon in folklore, and brings bliss and wealth to people. The painter makes this carp the king of the water. In fact, he is eulogizing the emperor's nobility and generosity in a subtle way. What more would one expect of a court painter?